Tag: Composition

Project Three – Exercise 2: Foreground, middle ground, background

While preparing for this exercise I realised that some of the elements I already tried to include in the previous exercise. I understand this exercise such way that I will work on A3 paper in graphite and water soluble pencils. I think a good opportunity to go outside and draw on location. I will see how far I go and…

Project Three – Exercise 1: Developing your studies

After the various researches I was happy to continue with drawing on large scale.  My head was so full of input that I was looking forward to put some of them into practice. I went through my sketchbook studies and one drawing from the sketchbook walk got my great atttention #1: ‘At the end of town‘ with the sign ‘No…

Project Three – Notes on composition

Most classical composition rules: – The Golden Ratio (1:1.618..) – a guide that is supposed to bring aesthetic beauty (examples: Da Vinci’s “The Annuciation”): I’ve found a nice and interesting contemporary approach by graphic designers on the Golden Ratio: Belos, Alex (2014) ‘Golden Meaning: graphic artists depict the golden ratio‘ The Guardian 25 Feb 2014. Available from: http://www.theguardian.com/science/alexs-adventures-in-numberland/gallery/2014/feb/25/golden-meaning-graphic-artists-golden-ratio-pictures (Accessed 2 May 2015). One example: The…

Project Six – Exercise 2: Composition – an interior

From the previous ‘travel around the house’ sketches I will do two different compositional studies. I will work in charcoal (as it gives richer tonal variations) in my A4 sketchbook. With the intention to look for strong tonal contrasts, textures, linear qualities, and strong positive and negative space I started my first composition scenario. Composition area #1: Ironing room  I continued…

Project One – Exercise 2: Compositional sketches of natural objects

Looking for natural objects for this composition. I will explore viewpoints, different arrangements, light directions to find the most interesting composition that fits best the selected objects. Selecting the objects (birch tree branch, two onions, one big carrot, straw) was easier than finding a meaningful and appealing composition. I did most of the studies in charcoal in order to practise…

Project One – Exercise 1: Compositional sketches of man made objects

For this exercise I was looking in the evening for some meaningful objects in our home that might turn into an expressive composition. I looked in the kitchen in our sink with the loneliness of the dishes yet to cleaned. Four objects in a deep black sink – a cooking pan, a cup, a small glass, a cloth. For the…

Project One – Research point: Positive and negative spaces

With this research I will look into the concept of positive and negative space, and how art practitioners are incorporating this in their works. Patrick Caulfield and Gary Hume, both mentioned in the course material, are both related more or less to Pop-Art. There is an interesting article about their group exhibition in Tate, London from Fox,D. (2013) in the Frieze magazine. I wanted…

Project One – Research Point: Still Life genre

Part two is looking at our environment in drawing and with this research I will look deeper into the evolution of Still Life pictures, works across the centuries to the practice of contempary artists. Traditionally still life or ‘nature morte’ is typical an arrangement if inanimate objects. eg. flower, fruit, artefacts, housefold goods, layed out on a table or other flat…

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