Tag: Forms

Visual research: Alberto Giacometti (1901-1966) – creation of depth and form

My tutor suggested me to look into the work of Alberto Giacometti (1901 – 1966) for his way of using ink and paint to create form and depth. Giacometti is well know for his thin figure sculptures. But he also established a wide range of drawings and paintings. A very good source for his work is the Fondation Giacometti. Giacometti’s talent…

Project Two – Exercise 3: Creating shadow using lines and marks

To create a three-dimensional perception of drawn objects, in this exercise I will use hatching, criss-crossing and spoting marks/lines. Compared to the previous exercise where I applied tones in various values through application of shading tools as charcoal and chalk, I will now use more lining tools: dip pen and ink, ballpen, mechanical pencil, fineliner. Sketchbook I took a simple…

Project Two – Exercise 2: Observing shadow using blocks of tone

The usage of tone as a basic drawing skill helps to render three-dimensional perceived objects drawn on a flat surface. According to the five-value rule of Leonardo da Vinci, one can differentiate the following five values of objects exposed to light: Highlight: direct light Half (or mid) tone: receiving direct light at an oblique angle Shadow: cur off from direct…

Project Two: Sketchbook – drawings in context ‘Basic shapes and forms’

I experimented further with different media to see how the expression and perception of shapes and forms will change. I took for this testing only one object (instead of a group of object to stay focused). With focusing on weight, perceived depth and distances, I discovered surprizing results. Scribbling with ink pen and fine tip let the form disintegrate. Ink pen with brush…

Project Two – Exercise 1: Group of objects

Here I will go deeper into how to recognize basic shapes and fundamental forms. Shapes are not forms, but why the difference? Shapes are flat and lines, mostly outlines are marking boundaries in space. The drawing is typically done on a flat surface, the picture-plane. Through structuring of shapes the perception of forms as three-dimensional can be achieved. Here the…

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